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No New Posts David Lynch - 1 Viewing

An American filmmaker, television director, visual artist, musician and occasional actor. Known for his surrealist films, he has developed his own unique cinematic style, which has been dubbed "Lynchian", a style characterized by its dream imagery and meticulous sound design. The surreal, and in many cases, violent, elements contained within his films have been known to "disturb, offend or mystify" audiences.

Source: http://en.wikipedia.org/wiki/David_Lynch

1 1 Interview #001 (On Creativity, Culture, & Ideas)
by Laudanum Productions
Jul 1, 2013 20:27:13 GMT -5
No New Posts Stan Brakhage

An American non-narrative filmmaker. He is considered to be one of the most important figures in 20th-century experimental film. Over the course of five decades, Brakhage created a large and diverse body of work, exploring a variety of formats, approaches and techniques that included handheld camerawork, painting directly onto celluloid, fast cutting, in-camera editing, scratching on film, collage film and the use of multiple exposures. Interested in mythology and inspired by music, poetry, and visual phenomena, Brakhage sought to reveal the universal in the particular, exploring themes of birth, mortality, sexuality, and innocence. Brakhage's films are often noted for their expressiveness and lyricism.

Source: http://en.wikipedia.org/wiki/Stan_Brakhage

1 1 Documentary #001 (Stan Brakhage)
by Laudanum Productions
Jul 9, 2013 18:14:20 GMT -5

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Art/Avant-Garde/Experimental Film
An art film (also known as art movie, specialty film, art house film, or in the collective sense as art cinema) is the result of filmmaking which is typically a serious, independent film aimed at a niche market rather than a mass market audience. An art film is "intended to be a serious artistic work, often experimental and not designed for mass appeal";they are "made primarily for aesthetic reasons rather than commercial profit" and they contain "unconventional or highly symbolic content." Furthermore, a certain degree of experience and knowledge are required to understand or appreciate such films; one mid-1990s art film was called "largely a cerebral experience" which you enjoy "because of what you know about film". This contrasts sharply with mainstream "blockbuster" films, which are geared more towards escapism and pure entertainment.

While "experimental" covers a wide range of practice, an experimental film is often characterized by the absence of linear narrative, the use of various abstracting techniques—out-of-focus, painting or scratching on film, rapid editing—the use of asynchronous (non-diegetic) sound or even the absence of any sound track. The goal is often to place the viewer in a more active and more thoughtful relationship to the film. Many of its more typical features—such as a non-narrative, impressionistic, or poetic approaches to the film's construction—define what is generally understood to be "experimental".

Source 1: http://en.wikipedia.org/wiki/Art_film

Source 2: http://en.wikipedia.org/wiki/Experimental_film
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